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Despacito has become the MOST EVERYTHING EVERYWHERE OH GOD MAKE IT STOP

Despacito, When Will You Come to Your Senses

There is cultural ubiquity, and then there is UTTER CULTURAL DOMINATION.

CBC:

The ubiquitous hit song Despacito has tied Mariah Carey’s 16-week record at No. 1 on the Billboard Hot 100 chart. Billboard announced Monday that Luis Fonsi’s song and Carey’s duet with Boyz II Men, One Sweet Day, are the longest-running No. 1 songs in the 59-year history of the charts. Carey’s song reigned at the top spot in 1995 and 1996.

Fonsi’s Despacito features Daddy Yankee, while Justin Bieber appears on the remix. The song’s video — the original not the remix — became the first video in YouTube history to reach 3 billion views. “This is a historic day for Latin music! I’m incredibly thankful for all of my fans and their amazing support. Feeling very blessed right now,” Fonsi said in a statement to The Associated Press on Monday. Despacito has a chance to log 17 weeks at No. 1 on the Hot 100, but will have stiff competition when Taylor Swift’s Look What You Made Me Do debuts on the chart next week.

Despacito Housewives and Everybody Else, Apparently

It continues. . .

Despacito has become an international success and is the year’s biggest hit, but the song has also been overlooked. The music video did not receive any nominations at Sunday’s MTV Video Music Awards. MTV, which has not played the video on its main channel or MTV2, said the song’s record label never submitted the video. Universal Music Latin Entertainment said MTV didn’t ask the label to send in the clip in time for its nominations.

Weeks after MTV released its VMA nominees, the network announced its song of summer category, where the Despacito remix received a nomination. But the song lost to XO Tour Life, the Top 10 hit by rapper Lil Uzi Vert. Nielsen Music said the song has sold 2.239 million digital tracks. It has more than 513 million on-demand video streams and 464 million on-demand audio streams.

WE’RE NOT LINKING TO THE VIDEO NO NO YOU CAN’T MAKE US OH ALRIGHT

Whatever happened to Toto’s Africa as the ultimate earworm? Those were the days.